Best Of 2014!

Gabba gabba hey, punk rockers! I can't believe how quickly a year has already flown by being the first in my little adventure as a Resident Riff Randell, solo rock 'n' roll writer aka Ramona Confidential. Well technically, since I didn't start up until March but hey! Close enough. By the grace of Dee Dee I made it and what an INCREDIBLE one it was for punk rock. I don't think I've witnessed a year this abundant in good releases in a long time and have never gotten the chance to do one of these official list things, so I thought I'd give it a go. Each album's corresponding review is linked on the title just in case you missed it or more importantly, still need to get the record. An enormous thank you from the bottom of my heart sent to everyone who supported this little zine and here it is without any further delay, the best 2014 had to offer according to me!

Top Ten LPs 
1. The Manges- All Is Well

This record was proof that you can strip away all modern popular studio techniques/production from a punk rock record and have an end result that is still very punk. It was a much welcomed surprise to see a collection of songs take shape like "All Is Well", with the pure simplicity of what punk rock is at it's heart and foundation. That lesson The Manges gave is one our little universe desperately needs right now if it is to continue. Remember where it started!! 

2. Giant Eagles- Giant Egos
Have you ever had a record take over your life, like out of nowhere? THIS is it for me. I had already heard a few songs on their facebook page and liked them quite a bit but really had no clue what I was in for on the morning I wrote to Marien inquiring about where to hear it just after "Giant Egos" was released. This "Best 80ties Synth-Ramonescore ever" is truly the most addictive and unique thing I've heard in the last decade and I can't wait to see what's next from these boys.

3. The Mugwumps- Mutation In The Family
The equivalent of love at first sight, that is what this band is to me. "Mutation In The Family" was like reuniting with a long lost love after years of thinking it would never happen and picking up in the moment as if no time were ever missed. Chris, Hank, and Andi collectively possess a dynamic that isn't common, and everything pop punk should be. These songs kicked my ass and were beautiful at the same time. I listen to them just as much as Banana Brain's and that is no surprise.  

4. CJ Ramone- Last Chance To Dance
As I said in my review a couple weeks ago, this year was tough for Ramones fans. We lost Tommy and it tore my heart out. It was hard, but to witness CJ put out a wonderful record and get the bigger label support he very much deserves gave me such a happy feeling. True self expression is the most fundamental element of an artist and I adore the way CJ never backs down from who he is as a punk rocker. That is the Ramones way of life, that is what "Last Chance To Dance" is, and he is my hero for honoring the legacy. Ramones forever. 

5. The Windowsill- Showboating
2014 was one hell of a year for Marien Nicotine as a songwriter! This band already had my attention with their powerful debut and "Showboating" captured me every bit as easily. The Windowsill is proof that you can play pop punk with a heavy injection of pop and not once venture into sounding cheesy. These songs are great and I might as well just buy a sleeping bag for this LP to stay next to my turntable because that is it's most frequent place of residence. 

6. The Apers- Confetti On The Floor
Holy shit I was on cloud ten to see The Apers come back with a new full legnth. This band's passion burns just as bright as it did from day one and what a fun record "Confetti On The Floor" is! Kevin Aper is the master of making sure things stay away from getting so damn emo and I don't think I've smiled that much to hear a record in such a long time. True pop punk is here to stay as long as these pioneers are around and I'm so glad for that. 

7. The Putz- Knock It Off
The American scene can be a tough sell for me within it's current wave due to the loss of tradition but this is a record that shows it still exists in the land where the genre was created. The Putz are the kind of guys that if I knew nothing about them in a first listen, I'd be wondering why I missed out on a killer Lookout band! They are that good and "Knock It Off" is an instant classic that I am happy to have in my collection.
8. DeeCRACKS- Beyond Medication
Austria is home to not one, but two of my favorite bands in the moment and it was fantastic to see DeeCRACKS step forward with a solid release as well! "Beyond Medication" has fifteen songs that hold a perfect balance of in your face roughness, pretty melodies, and newer elements of experimentalism. Plain and simple, it is a staple for any self respecting punk rocker's collection this year for the level of quality you can always count on from them brightly shining through.   

9. Proton Packs- Space Opera

A concept album is one of the riskiest moves a band can make. The story has to be strong, interesting, backed with 100% conviction, and The Proton Packs precisely understood that when they stepped into the studio to record "Space Opera". It's like a 70's sci-fi thriller movie you can hear and I've listened to it over and over. Everything about this record is bold from the music to the cover art and it proves punk rock can not only bring a complex idea to life, but do it well.
10. The Bat Bites- The Bat Bites
I'll be the first to admit that my musical taste is one that's heavily ruled by male artists, but there's nothing more I love to see than a hard working woman stand next to the boys and kick ass. While The Bat Bites have that super cool male/female shared vocal dynamic, I very much admire Merel's skill as a songwriter. "The Bat Bites" was a total evolution in her and the rest of the band's presence. All you gotta do to confirm that is listen.  

Top Five 7"s/EPs

1. Tough- Obey The Ramones
Full passion. That is Tough in two words. I love them always for remaining intently focused on the path that was paved by our founding fathers of punk rock to keep things simple, catchy, and intense. "Obey The Ramones" was the next step in their journey showing that four songs can have all the punch required to make a strong impression and I've listened to them repeatedly for it. The world is all the better with bands who maintain an uncluttered philosophy and Tough is a fine example of that.

2. Travoltas- The Longest Wait

This band's return to a scene that never got over their leaving was the biggest miracle of the year! My level of devotion to the Travoltas surpassed the atmosphere on the morning I heard "The Longest Wait" because not only were they back, but they were also better than ever. The beauty of these songs brought a little more sun back into our lives and I am so glad to see that it looks like the guys will be sticking around. I have nothing but full anticipation to hear what they do next.
3. The Nuts- The Nuts

I had the total honor of being a close observer in watching The Nuts become one of the quickest growing bands this year! Due to their high level of commitment, this relatively new entity led by an amazing woman(another one, hooray!) made big strides gaining experience and produced a fantastic debut 7". These girls and guy have something very special and I can't wait to see where they go from already such a exciting start.
4. Doctor Frank &The Bye Bye Blackbirds- Even Hitler Had A Girlfriend

2014 seems to have been the doorway for many great creators to return. Just when I thought it couldn't get any cooler, Dr. Frank showed up and made it so! With a talented backing band, he brought these two well loved classic songs even more to life and that was a perfect start to all the activity he's had this year. A new single and several live performances with a full band transpiring since then seem to suggest the doctor is back in. That can only be a good thing.  
5. The Manges- Lone Commando(All Is Well)/Steadfast Tin Solider

Singles with two A sides are a rarity that should be celebrated! Out of all new Manges releases that happened, this is the only one I didn't cover but it's still going on my list as a result of that. I loved the idea of a single 7" that included their title track from "All Is Well" but there was a big surprise waiting to be discovered. With some different elements of instrumentation and flawless arrangement, "Steadfast Tin Solider" is a song of the year and definitely an A side too.

Best Label 

Monster Zero- Without a second thought in the matter, they were the strongest force out there this year as far as record labels are concerned for me. Kevin Aper and his team's unwavering commitment to giving underground music the support it needs to be heard is beautiful and I wish them all the success in the world for it. They ruled my list this time and I will definitely be there to support them as we move into 2015. Thank you Monster Zero!

Best Distro
Striped Music- Good things grow. After taking a brief hiatus in the late Summer, Striped Music came back with an even bigger presence of passion and professionalism. Now fully licensed, they are ready to take on a whole lot more with distribution for some big names but that's not all! Striped Records is also up and running once more with a killer release to mark the occasion. Andrea, Linda, and the rest of the Striped family are part of the reason this all keeps going so give them your business!  

Best Studios

Out of everything I heard this year, these were the two that really came through with amazing sound. Consider these studios and their wonderfully talented people for any of your recording/mastering needs!
T.U.P. Studio
Simon Baken Audio Engineering

Best Podcast
Jughead's Basement- After crossing over September, this podcast now has two years under it's belt and is only getting better with the level of meticulous work John pours into each episode. In the newest, we got a rare look into the world of The Vindictives and their masterpiece of a record, "Hypno-Punko". I adore this show for giving importance to so many people who deserve it and will always be a listener for that. He's got a lot more on the way so stay tuned!

MVP(Most Valuable Punk Rocker) Of The Year 
You-  Yes, you. Whether you are in a band, running a label or distro, promoting shows, writing reviews, or simply just present to support it as a fan, you are a vital part of this community. Over the years I've watched things change a lot for underground pop punk/punk rock but if you are there, that means hope is too for it to continue existing. This is such a little passionate niche in music that I still believe in so much, so thank you for making it possible.      

Special thanks to the following people who have kept me going in pursuing this little dream with their support, kindness, and help that I am beyond lucky to have: Andrea Manges, Valentina De Rosa, Chris Polecat, B-Face, John Jughead Pierson, Danny Panic, Phil Nieswender, Scott Matthews, Joey Vindictive, John Proffitt Jr., and Leah Alex Lehmann. 

Neon Bone- Year Zero

One man projects require a very special breed of person to work. They are the truest test of a person's ability as both musician and composer. If it sucks, there's no team of people to stand behind and as far as I'm concerned, Lars Hannemann has never had to worry about that. There was something very attention grabbing in his powerful yet melodic voice and perfect understanding of pop punk/punk rock, keeping it simple with no bullshit while still making a big statement the first time I heard Neon Bone a couple years ago. Ever since his start in 2010, he's stayed busy with several releases and the quality of his work only increases each time so I'm always excited to see the news coming from Münster, Germany that he's got something new ready! A wonderful EP called "Year Zero" is his latest statement and it took all of a few seconds for me to fall for these songs, so here I am to tell you about it!

The songs were recorded during the late Spring and Summer of this year at Unterschichten Records in Münster,Germany by Sascha Wiesbrock, also acting as producer with the exception of 7-8, which were recorded by Neon Bone. Another thing I enjoy about this band is that his album covers are always different with no two in his discography being similar. This time he went with a great live shot by Disorderlovenpeace and the layout was done by Lars. Release happened November 28th and it's available on cassette through Uga Uga Tapes, Kill All Human Records, Trim Tab Tapes, and Eccentric Pop Records. The tape does come with a download code and digital only can be acquired through Neon Bone's bandcamp page where the EP is also streaming in full. 

As I mentioned earlier, I've always liked Lars' songs very much due to the traditional approach in how he plays, giving a lot of respect to pop punk's true foundation while adding in individuality with his own unique presence. He could have easily fit into the the 90's alongside Lookout bands but lucky for us, he's here in the now to make sure that spirit continues! Side A starts out with the great and upbeat "You're Alive", showcasing what makes me a fan of this band. Vibrant and emotionally open vocals, simple yet powerful arrangement, and a beautiful solo. He's got it down to a punk rock science and while that's the thread that holds his work together, there is also a heavy streak of 50's/60's beauty going on in a few songs. My top pick, "Will You Be There Tonight" is one. With the closely paired harmonies it has such a Everly Brothers sound and I love it! Those early elements of rock 'n' roll are what gave birth to punk rock so it is vital that they remain in present day and it's always refreshing to see someone understand that. There's another lovely ballad on this side, "I Turn To You" that I found myself smitten with as well but make no mistake in thinking that's all Lars has up his sleeve this time!! Side B kicks off with "Don't Give It Up Now" a faster paced one with wonderfully positive lyrics for someone in a rough patch and a great bridge. I'm always curious to see what cover song he will choose next because they are never common and always interesting. Staying within that practice he chose the 1963 version of the Blue Diamonds "Sukiyaki" and every bit of the Dutch/Indonesian brothers' harmonic character carries through in his take on the song, just translated to punk rock style and I like it! The EP closes out with the romantic "I Wanna Be With You" and the natural choice for me is just to listen to them all again.

Stream the songs and pick up the tape from any of the labels(Eccentric Pop should have theirs soon!). "Year Zero" is simply a little gem of an EP and I'm glad to close out this year's series of reviews with it. Things are always moving along at Neon Bone headquarters so there are a couple more pieces of information I wanted to pass along. First, the last full length album "Good Things About You" is now up for free download(as well as all previous releases) so if you missed out on it, now's your chance to catch up! Second, Lars is hard at work putting together the next batch of songs as we speak which will be released next year on none other than Monster Zero Records so stay tuned to the story as it develops by liking the Neon Bone facebook page if you haven't yet. I'm very much looking forward to that! 

Neon Bone is...
Lars Hannemann

All songs written by Neon Bone except "Sukiyaki", written by Rokusuke Ei and Hachidai Nakamura 

Tracks
Side A
1. You're Alive
2. Will You Be There Tonight
3. Nothing I Would Rather Do
4. I Turn To You
Side B
5. Don't Give It Up Now
6. Did You Forget Me
7. Sukiyaki
8. I Wanna Be With You

Spastic Hearts- No Girls No Fun

Lightheartedness is an attribute in music that there can never be too much of in my opinion. There's enough to get you down out there in the real world and within the sanctuary of my home, I love the escape of putting on a record that is fun. This goes anywhere from the first Ramones record and beyond in my day to day worship sessions at the turntable. I've followed The Spastic Hearts since they formed a couple years back and that's the just the kind of spirit you can count on from them. The Ohio based pop punk quartet saw a successful release of their first self titled album back in 2012 and are back to deliver a new offering called, "No Girls No Fun". That's what I'd like to tell you about today!

Recording started in the Fall of 2013 and wrapped during early February of this year following in the same pattern as their debut album starting with drums and lead vocals which were tracked at Amperon Recorder by Pete Drivere. All other instrumentation and vocals were recorded at The Breezeway by Mikey of The Spastic Hearts. Mixing and mastering was done by the always great capabilities of Justin Perkins at the Mystery Room. The cover photo done by Ally Bubblegum with a girl's legs and arms peeking out of a bathtub's edge paired with the album design/layout by Ryan Rawtone really gave it the appearance of a campy 80's movie poster and I like it a lot! Official release happened on October 31st, made possible by Jolly Ronnie Records and Swamp Cabbage Records who partnered up to make the LP, and then SP. Records who released it on CD. With a couple labels working together on the vinyl, that allowed some nice variants to happen for this record with 22 being pressed to white that are band exclusive, 40 on a really pretty turquoise blue with black streak which is what I have, and then 460 on black. The LP does come with a download code and digital only can be obtained through iTunes. The album can also be streamed in full and downloaded over at Swamp Cabbage's bandcamp.

I think the initial thing I noticed in the first listen of Side A's opener, "Can't Get Enough" is that the power pop influence in their sound was taken a notch up but the Chuck Berry-esque rock 'n' roll vibe is still definitely there driving everything along at an energetic pace with of course the strongest element of The Spastic Hearts which is pop punk. Jay's vocals sound powerful and great like they did in the debut but another little change I really like in this department is there are more harmonies coming in from both Mikey and Angie compared to last time. That is a good move giving the songs more depth. The song content is very matched to the playfulness of the cover imagery both musically and lyrically with lots of romance for better or worse and just fun in general! "Baby Doll" has some nice keyboards and well played soloing from Mikey who makes quite a few appearances with his talented skill doing just that throughout the album. Things slow down a bit in "All For You", showing their ballad side with some sugary backing vocals but pick right back up after into "Emily" and then one of my favorites "Let Her Go", a nicely arranged tale of heartbreak. Side B starts out running with the high energy title track "No Girls No Fun" and another one I really liked which is the more straight ahead pop punk "Eat Your Heart Out". "It's Ok" has a ton of 80's pop influence with a solo that sounds like it could fit in just as easily with a song by a band like The Outfield followed by a couple more faster paced numbers and the record closes with the mid-tempo "Don't Go" about a girl who got away. Great bridge and fade out!

It's always nice to have a record in your collection that isn't so serious and just exists to entertain. That's exactly what The Spastic Hearts did with "No Girls No Fun", I'm glad to own it, and recommend it for yours! Visit any of the labels' webstores to get your copy and European fans can find it through Striped Music's distro. As always, stay tuned with the band by giving their facebook page a like!

The Spastic Hearts are...

Angi- Bass and Vocals

Mikey- Guitar and Vocals

Jay- Vocals and Guitar

Casey- Drums

All songs by The Spastic Hearts 

Tracks

Side A 

1. Can't Get Enough

2. Baby Doll

3. Dance 4 Me 

4. All For You

5. Emily 

6. Let Her Go

Side B

7. No Girls No Fun

8. Eat Your Heart Out

9. It's Ok

10. Spastic Heart 

11. Spend It With You

12. Don't Go 

CJ Ramone- Last Chance To Dance

2014 has been tough for Ramones fans. Ever since Tommy's passing last July, my heart has been left with a little part of the initial sadness I experienced on the day he left that is hard to console. A world where the original four Ramones are missing seems to sparkle a lot less and it's hard to keep my hopes up that their message will stay alive as it always should. Granted there have been many reasons to smile still and many glimmers of promise for it to continue in this year but I think there couldn't have been better timing to see a surviving part of that legacy step forward with a new release. I'm talking about our CJ of course. For me and many others, he is the one out of the few Ramones still standing within the earthly realm who's always striving to keep that memory and message of his brothers alive with the utmost honor. We needed him and he's here with his latest effort entitled, "Last Chance To Dance". This record captured my heart in an instant so without further delay, it's time to activate my super Riff Randell mode and tell you about it!

The songs were recorded and mixed by Jim Monroe during the early Spring of this year at The Racket Room in Santa Ana, CA with Jiro Okabe acting as executive producer. Further production assistance came from Jim Monroe, Steve Soto, and CJ Ramone. Additional engineering was done by Sergio Chavez and the process was completed by Paul Miner who handled mastering. This studio and accompanying team of people created a fantastic end result with the sound. The band comes through beautifully and crystal clear. If the cover photo by the legendary Allan Tannenbaum seems to take you back in time, there's good reason! It was shot during the late summer of 1974 in Times Square, capturing a pretty woman of the night standing in front of a run down bar. I love this choice because along with the lettering of CJ's name up at the top, it really pays tribute to the imagery of first Ramones record cover while maintaining it's own unique identity. His work is candid and magnificent! The back cover photo by Carla Meurer is a great live shot from below, displaying his powerful onstage stance. Additional photography was done by Paul Mackay and the layout credits go to Sasha Loobkoff. Official release date happened on November 25th,2014 by Fat Wreck Chords and is available in the following formats of: digital only, CD, and LP which can all be obtained through their webstore. Digital only can also be found on iTunes but enough of that, let's talk about the vinyl!! You can choose from black or my personal recommendation of color. It is a GORGEOUS white with black and grey splatter that coordinates perfectly with the cover. I got mine last Saturday from the postman and have since failed to stop admiring it on a daily basis.

When I interviewed CJ during June of last year, he had let us know that about half of this new record written. That was excellent cause for both joy and anticipation! I adored Reconquista very much, especially that utter gem of a song "Three Angels" and wondered to myself while waiting, "How will he follow that record and will it be just as impactful?". That answer is a resounding YES as soon as the needle drops and you hear "Understand Me?", the first track that got it's own single 7" last October. A bounding rhythm, two simple verses, and magnificent hook that takes you into the chorus is all this man needs to win you over, joined by a more than skilled band featuring members of The Adolescents and Social Distortion. That's what punk rock is all about and the veteran does it with absolute ease. Another of CJ's many attributes that keeps him just as valid in present day is the sheer beauty he maintains in his vocal tone. Listening in this moment, I can close my eyes and hear the kid just out of the the Marines who was, and still is a natural. Speaking of his military past, that leads us into "Won't Stop Swinging" featuring Steve Soto as co-writer giving a look at the period of his life where the choice was to enlist or stay home with few means to survive. Even without that kind of history in my own background, I found myself really connecting to this song because the root of it is struggle and a very inspiring display of self determination. Kick ass solo in it too and a video was just released for the song yesterday! Check it out here. It's without a doubt my #1 pick for overall favorite track. That heavy rock 'n' roll gets even heavier in "Mr. Kalashnikov" which is a tribute to Mikhail Kalashnikov, maker of the AK-47. The lyrics are tough, the guitars are tougher, and it's catchy as hell. Make no mistake of thinking that toughness is all there is to this collection of songs though! There are some beautiful love songs to balance out the edginess which you will hear in "One More Chance", "You Own Me", and my personal favorite of those, "'til the End". It has such a perfect arrangement and pop sensibility that I can almost hear his brother Joey singing along every time it plays. I adore that song. The sailor's tale, "Carry Me Away" is a little realm of it's own and adds in another layer of depth with it's old world feel. Very cool. There is also one cover appearing this time and that is Alice Cooper's "Long Way To Go". This rendition is injected with a heavy dose of punk rock but loses none of the original's reverence with the addition of The Adolescents' front man, Tony Cadena who teams up with CJ for some guest vocals. They play off of each other well and it's a success! "Last Chance To Dance" is everything a title track should be and that is a standout! It was another favorite of mine with such a pretty verses, a magnetic chorus, and great backing vocals. This very well could have been the closer and I would've been okay with that BUT... CJ  decided to flip the script in true rebel fashion and bring out the punch in the face that is "Clusterfuck"! At one minute exactly, this tune co-written with Dan Root is a burst of total fury and gave me a big smile because with as soft as people can be in music these days, we need someone to raise a middle finger every now and then. Who better to do it than a Ramone? No one, that's who.

In closing I could say so many more things but I don't need to because "Last Chance To Dance" speaks for itself. All you gotta do is listen. CJ and the guys have plans to hit the road with a vengeance in this quickly approaching new year so stay tuned to his facebook page for all upcoming details and hopefully we'll all get the chance to see him. Ramones Forever.

The Band...

Steve Soto- Guitar and Vocals
Dan Root- Guitar and Vocals
David Hidalgo Jr- Drums
Cj Ramone- Bass and Vocals

With guest appearance by Tony Cadena doing vocals on "Long Way To Go", additional percussion by Pete Sosa, and baritone guitar on "Won't Stop Swingin" by Martin Beal.

All songs written by CJ Ramone except: "Won't Stop Swinging" written by Ramone/Soto, "Clusterfuck" written by Ramone/Root, and "Long Way To Go" written by Michael Bruce.

Tracks

1. Understand Me?

2. Won't Stop Swinging 

3. One More Chance

4. Carry Me Away

5. 'til the End

6. Long Way To Go

7. Mr. Kalashnikov

8. Pitstop

9. Grunt

10. You Own Me

11. Last Chance To Dance

12. Clusterfuck

Super Giants- The Space Mutant Appears

As a punk rock connoisseur who's been around the block with searching out bands that "get it" for more than two decades, I'd have to say one of the greatest highs I can experience is when I discover. Discovery is a natural high with varying degrees of awesomeness. For instance, when a band you've loved for many years has a new release and you hear it for the first time. Great feeling there but another degree of this musical intoxication I crave and get totally excited for because it's hard to achieve is the kind that comes from hearing a brand new band in their first moment of revealing who they are. A first release can draw me in like a magnet or push me forward with little interest to hear anything else a band does in the future. Like a first kiss almost! If it's good, it's GOOD, and if it's bad, NO THANKS haha. My latest tale of discovery is one with a brand new band and it all started when I met two guys standing on the other side of an Insubordination Fest merch table I was working at in Baltimore during the summer of 2012. I was pretty sure they were withholding some sort of superhero team identity and as of now, I can confirm I was right. They go by the name of Super Giants, have a release called "The Space Mutant Appears", and that's what I'd like to introduce to you all today!

The songs were recorded during June of 2012 at Felder Studio by Carter Felder in Charlottesville, VA who also handled the task of sound engineering and drum programming. Carter has a running history in assisting with both Dustin and Christian's projects. He did a great job as usual! Mastering credits go to TJ Lipple. The vibrant cover art was done by Richard Hansen and really ties into the Japanese anime superhero/supernatural theme that Super Giants are wanting to project. I like it! November 13th, 2014 was the release date of "The Space Mutant Appears". It's a digital only, self release and can be purchased and/or streamed through their bandcamp page. Click here to check it out!

It's always interesting to see a band really go for it in the sense of creating a total atmosphere for what they do and Super Giants have something going that's very appealing to me. Most importantly is the music which has a really kickass Lillingtons (Death By Television/The Backchannel Broadcast) pop punk vibe that also leans into a Riverdales feel. Those two elements are enough to make my little Dee Dee heart skip a beat but it doesn't end there! Any band can play off of influences, and EVERYBODY getting their start after the initial beginning in the pop punk universe does it but what sets a band aside is how they decide to make it their own. Christian and Dustin mutually possess a love for the darker side of sci-fi and the supernatural. There is a campy touch in the sound of the songs that they play but it's real well blended with a heavy streak of  somber obscurity. That's what gives them dimension! These three songs open up with "The White Owl" featuring Dustin on vocals. It's got a perfect downstroke that's fast, catchy, and menacing, giving a strong foundation to a tale of the horror experienced by an alien abductee. This is the most powerful I've ever heard him sing and I love it! Christian steps up to take the vocal duties for the other two tracks, "World At My Mercy" being the first which is an awesome tribute to Ed Wood's "Bride Of The Monster". I love the concept of both guys singing because he has such a different vocal approach that adds another layer to this band. It has more of a crooner sound with an endearing 50's/60's quirkiness. He's the romantic! This mid tempo gem finishes with an abrupt stop and that leads you to the closer, "Space Madness". This one has a neat balance of an other worldly and common elements, as a story unfolds with a couple escaping the end of the world to live in space but falling out of love as they lose their sanity. Songs that are demented and pretty at the same time capture my heart easily so I am a fan of this man's skill as a lyricist. There's also some fantastic leads on guitar!

Now I know this is only three songs but hopefully I've peaked your curiosity enough to check out Super Giants because they've already got me in their clutches! Stream the songs, add them to your collection, and don't get too comfortable because an exciting new development is already being hatched. The guys are in the process of demoing the next release which will be a four song EP featuring the addition of a live drummer who's identity I will keep shrouded in mystery for now but take my word for it, he's one hell of a catch! Make sure to go like their facebook page to stay tuned as the story of Super Giants unfolds... I think we're in for something good with them!

Super Giants are...

Christian Golden- Guitar and Vocals
Dustin Umberger- Bass and Vocals

All songs written by Super Giants 

Tracks

1. The White Owl

2. World At My Mercy

3. Space Madness

The Windowsill/New Rochelles Split

I had a great time covering the Horror Section/Eaten Back To Life split LP back in August but there's another kind of split I was hoping to come across to include in this year's batch of reviews. That is one of the 7" variety featuring bands from different countries. 7" splits are great due to the opportunity they give you to check out a couple bands in a non committal way but ones that give a look at what's going on at a global level are important to keeping a small scene like ours growing and afloat. I had heard about this particular one taking shape quite awhile ago and it's finally out for us to hear! Let's talk about a split featuring two bands on opposite sides of the globe that share a common goal, The Windowsill and The New Rochelles!

The Windowsill songs were recorded/mixed/mastered after the completion of their debut record starting in the mid summer of 2012, with the drums at their rehearsal space and all other parts finished in early 2013 at West Side Aight Studio by Simon "Speechless" Baken. The recording quality is once again impeccable for the third time that I've heard his work this year. Producer credits are shared by both Simon and Marien. The New Rochelles songs were produced, recorded, mixed, and mastered during the spring of 2012 by Greg Tamao at the Tomato Farm Studio. Release happened just yesterday on the 18th of November, a co-effort by Swamp Cabbage Records from America and Lost Youth Records from Belgium in the form of a 7" on black vinyl. 500 pieces are available and you can order them through the SCR  or LYR webstores. The songs are also streamable through through SCR's bandcamp page. 

The New Yorkers are up first on Side A. I've been a fan of The New Rochelles cartoonesque pop punk that heavily pays tribute to the godfathers of punk rock ever since I heard "This Is My LJ", a song from their first release. The lightheartedness in their approach paired with Ronnie's great vocals and talent as a songwriter make what they do kinda just stick to your brain like bubblegum. This description is proven as fact once you hear their first offering called "Hey Pizza". Any self respecting Ramones fan knows what this song is about by looking at the title but for those that need the assistance, hell yes, it's about Rock 'n' Roll High School! In the two minutes and nineteen seconds, they manage to cram in many references to the movie plot and characters. From the parents burning records to poor Joey being fed wheat germ, they got it covered and it's hilarious. Cool song! The faster "I Don't Wanna Go Down To The Crawlspace" follows which is a fine display family dysfunction and that's it for them! Side B goes to the fellas from Rotterdam. I've been dizzy with infatuation for all things including  Marien Nicotine this year, from Giant Eagles to The Windowsill's releases so it was great news to see I'd be getting the chance to hear a little more of them. Immaculately arranged pop punk songs with a few extra touches of pop sensible rock 'n' roll is what you can place a heavy wager on every time from The Windowsill. With that being said, I was once again a Riff with little hearts in my eyes for their two songs. Both focus on darker subjects but come through with such a brightness starting with "She's Leaving". Beautiful guitars, solid drumming, and an amazingly powerful bridge make for a wonderful song telling the story of a love that's falling apart. Sander also takes the spotlight with some countersinging just after the bridge. I really love his vocal tone. The second track entitled, "Start Digging", seems to be a continuation from the first as a tale of dying from heartbreak. Gorgeous solo and a perfect representation of my fondness for Marien's skill as a narrator through his lyrics. He's fantastic at creating a bold visual through that and the emotional openness carried in his voice.

This turned out to be a cool little record so I recommend it be streamed and then added to your collection! Also, both bands are in the works with new projects so stay tuned to their facebook pages for all upcoming details.  

The Windowsill is...

Ivo Backbreaker- Drums
Jerry Hormone- Bass, Vocals
Sander Wired- Guitar, Vocals
Marien Nicotine- Vocals, Guitar

with additional Singing and guitar by Simon Baken

All music and lyrics by Marien Nicotine except for "She's Leaving" with lyrics by Nicotine/Hormone

The New Rochelles are...

Ronnie Rochelle- Guitar and Lead Vocals

Ricky Rochelle- Drums and Backing Vocals

Rookie Rochelle- Bass

 "Hey Pizza" written by The New Rochelles and "I Don't Wanna Go Down To The Crawlspace" by Ronnie Rochelle

Tracks

Side A The New Rochelles

1. Hey Pizza

2. I Don't Wanna Go Down To The Crawlspace

Side B The Windowsill

3. She's Leaving

4. Start Digging 

The Apers- Confetti On The Floor

This year has been one of my most favorite in a LONG time not just for the amount of quality pop punk/punk rock releases that have happened, but also the number of people who I consider to be great teachers making their presence known once more. These people who got their start in the early to mid 90's are so important to music and with the way things can be at the moment, I ask the four angels to see their returning in great numbers to show how it's done once more. I've already been an overwhelmed little Riff Randell to experience all that's happened up to this point and just when I thought it couldn't get any cooler, holy shit, The Apers decided to join in too!! They haven't been totally quiet since their last full length LP, appearing on some splits here and there but this is what I was waiting for, an album because it's been way too long and we need it. The moment came together in a collection of thirteen songs grouped together under the title of "Confetti On The Floor". Let's check it out!

The songs were recorded during August 9th-14th at T.U.P. Studio in Brescia, IT by Bruno Barcella and Alessio Lonati who both also took on the role of producer. I absolutely adored the job this studio did with the newest Manges record and this time is no different. With their 50's-70's analog setup, I think they possess such a unique capability to create a sound that's bold and completely tailored to the band's style that they work with each time. Be it punk rock, power pop, or pop punk. There's lots of integrity in that vintage sound! Mastering was done by The Hand Of Doom. The artwork was done by Kevin Aper, a painting of confetti dots against a neutral background which I liked a lot! The Apers have always been able to do all their talking once you press play or drop the needle so a simple cover is good! Official release date happened last Thursday on October 23rd and you can find this record on Monster Zero Records' webstore in the formats of CD,or a GORGEOUS confetti splatter on white vinyl LP(check it out here!). I have to own that vinyl asap. Digital only is available on their newly created bandcamp page where you can also stream the record in full and it should be on iTunes soon as well!

I've always loved The Apers for their balance of absolute talent, tongue in cheek humor, and honesty backed by full on passion. As a music fan who tends to be drawn to the risk takers, I welcome it. That's what punk rock is all about! Saying what you want. This spirit is waiting right behind the front door when the record starts and you hear the first track, "Global Holocaust". Hey, we all have days where we don't like so many people and Kevin is brave enough to turn that feeling into a hilarious song talking about doing away with the problem entirely. Of course in a very catchy way and it has a feeling that's very reminiscent of their early days. I dig it! "To The Bar For Cocktails" is a quick burst of frustration and relief, then it's onto the next, "Jamie Oliver". A tale of misfortune set against a great mid tempo pop punk melody about a severely botched romantic dinner plan. The next one, "Early Dementia" also has a humorous tone lyrically with the topic of forgetting everything, a great solo, and was written by none other than Marien Nicotine! I love both the song and the idea of his contributing to a band I'll always see him as very much a part of. There's two cool cover choices as well, "Break Stuff" by the Priceduifkes and a fantastic rendition of Barry McGuire's "Eve Of Destruction". I've always thought this song works well in punk rock translation when I hear the Dickies version and The Apers really made it their own too! I liked the little twist in the ending verse where it's updated to current times. You have to go all out to represent the magnitude of lyrics like that and they really did! "Mozzarella No More" has that quick, punch you in the face Ramones energy and is the shortest song on the record, clocking in at thirty nine seconds. The guys didn't leave romance out entirely either and you'll hear it in "Totally Barzotto For You". I bet all my Italian friends are laughing right now because of what "barzotto" means but it still falls within the category! "Moonlight Kisses" is the sweeter love song though and my absolute favorite with such a lovely breakdown. It's pure pop perfection. Okay, now when I saw that song title "Dear Ben", I had an inkling of what it may be about, and guess what? I was right...and almost spit coffee out of my nose when the chorus came on haha. Very Weasel-esque guitars in there too! I think it's about time someone makes a little light of that particular situation. There was already so much to love in going through the twelve tracks leading up to the last which also goes by the album title "Confetti On The Floor". It's super hard to choose an overall favorite on this record due to how much diversity is present in the material that was pieced together with such cohesion but if you're forcing me to say it or give you my vinyl collection, this is the one. First off, the arrangement is immaculate but the lyrics themselves had such a deep and moving effect on me. It reminds you to appreciate the moment, no matter where you are in your life because that's always gonna change. Amazing way to close it out!!

The Apers are most certainly not confetti on the floor and show with this brand new effort that they're the kind that's still in motion. Still as relevant as they were when it all started back in 1996, and just as needed too! "Confetti On The Floor" may have came in as 2014 is winding down but it's easily claiming a spot in my top ten for the year. It was more than worth the wait. The guys are on the road right now supporting it through Europe with the So-Cho Pistons from Japan as their tour mates and it won't be wrapping until the 1st of November. Check the dates on their facebook page and of course stay tuned by giving it a like if you haven't already. Not much more to say here other than pick up that wonderful pop punk record and go Apers, go!!

The Apers are...

Kevin Aper- Vocals, Bass

Ivo Backbreaker- Drums

Max Power- Guitar

Mikey Bat Bite- Guitar

Tracks

1. Global Holocaust

2. To The Bar For Cocktails

3. Jamie Oliver

4. Early Dementia

5. Break Stuff

6. Stop It Now

7. Always Hate Work

8. Mozzarella No More 

9. Totally Barzotto For You

10. Moonlight Kisses 

11. Dear Ben

12. Eve Of Destruction

13. Confetti On The Floor 

Chris Polecat Interview(originally published on August 27th,2013 with updates)

There are many names I think of when considering songwriters that have touched  my life. Chris Polecat is one that means a lot to me. He's someone who represents a very special time in music being present to help shape the Italian pop punk movement during the mid 90's as a founding member of the very well known Stinking Polecats. Over a decade later and nearing almost two now since his journey first started in punk rock, his presence remains strong with his band Tough today. He has a uniqueness that definitely separates him from the others, possessing a voice that is unmistakeable, powerful, and amazing. The songs he writes deeply connect to me with a quickness while maintaining such an easy simplicity that is beautiful. Also giving him a such a strong place in my world of favored songwriters is his humble approach. He writes and lets the music speak. Those are just a few qualities that make him completely invaluable to me and getting to witness his talent in person during a 2013 visit to Italy made me even more of a believer in who he is, so I asked for the honor of his presence in an interview. These present times mark a lot of great achievements for him with a wonderful full length LP "4", and most recently a very well received 7" "Obey The Ramones" from Tough, so I decided to share this and add in a few updated questions for him to give us a look at what's happening in the moment. I'm very glad he agreed to do it!

Sara: Hi Chris and thanks for taking a moment to speak with us!

Chris Polecat: Thank you guys! It's always a pleasure for me.

S: You certainly are no stranger to the Italian punk rock scene. Tell us a bit about your start. What led you to wanting to become a musician initially and eventually forming the Stinking Polecats?

CP: Ok, I'll try to summarize! I started playing in April of 1994 thanks to Luca Miccetta and Ciccio (future drummer for the Polecats), when I was called to sing in their  group. I agreed, and we went on for two years. Then I don't know why, I left and I formed a band in February of '96 with Simone and Blanka (current drummer for Cripple Bastards) the Stinking Polecats. We recorded a demo tape after a very short time and at the end of the year, our first 7". Blanka didn't last long in the band, then  Miccetta and Ciccio were added in to complete what I consider the true lineup of the Polecats. We went on for 10 years, then for problems both personal and related to music we disbanded in 2006.

S: As a diehard Ramones fan, I am so enamored with the way you compose a song.I'd like to know who is Chris Polecat as far as personal convictions in music. As a songwriter, what are the main influences that shape your direct and meaningful approach? Tell us about your very first song.

CP: Oh my God! And who remembers what was the first song... Anyway, let's say that I don't decide to write the songs... They usually come to my mind while I'm doing something else, and I whistle to myself on the phone's voice recorder. For me, music must be simple and immediate, something that you whistle all day because the song impressed you. And the influences, obviously the Ramones, and then the whole punk rock of Lookout in the 90's. After all the Stinking Polecats were born due to our boundless love for Screeching Weasel.

S: Ever since the start with your time in the Stinking Polecats and beyond, you've toured with many bands from outside of Italy playing both there and around Europe. Out of those experiences, who were the peers you bonded with most?

CP: In nearly 20 years of activity I was lucky enough to play with almost all of my favorite bands, and I have to tell you that more or less we have always gotten along well with everyone. I could give you some names, but I wouldn't be wrong to none. I'll just tell you that I was amazed by the organization and the way it is to go on a tour with Joe King. It's really an impressive tour-machine.

S: As a veteran of the road with so many nights passed watching punk rock grow and change, what year/part of decade do you think has been the best so far?

CP: Eh Eh! Obviously the second half of the 90's! In those years the scene was really nice, every Saturday there was a good concert, the audience was certainly much larger and  the venues were ran very well. The trend has now reversed, fashion has changed, people listen other music and there's more effort to organize cool events. But we are not discouraged, and we enjoy staying the same as we were before. Of course if there was a Delorean I'd be happy to use it...

    Chris in the beginning: on stage with the Stinking Polecats
    

S: There was quite a significant change in sound as you transitioned from the dissolving of Stinking Polecats to Tough, creating music that was much more powerful and gritty. Was this something you were already working on/having more of a desire to do for before the break?

CP: In the last Polecats period I can say that I felt a bit frustrated. I wrote two minute songs that were always turned into much longer ones. We all were taking different directions that led nowhere. And to try to please everyone, in the end we have misrepresented what the Stinking Polecats were born for. I have always felt disgusted with arrangements that are too heavy. That's why it's over, and that's why I want to do Tough's material even easier. Let's say that we are a natural evolution of the Stinking Polecats. Anyway, no, the Tough were not already scheduled during the last Polecats period. I can't have more than one band. I have to focus on just one.

S: After Miccetta's initial participation and departure in the beginning, Stefanino came all the way from Palermo to fill the position, and was a big asset to Tough's overall sound. With his recent parting ways from the band, Robi, a longtime member of Italy's scene from Milan has joined the ranks, definitely proving he belongs through his performance at numerous shows with the Monster Zero Mash in Bergamo last July and your most recent tour through Spain as a couple examples. For those who may not be familiar, please tell a bit about this new guitarist and now that there's been several months passed since he joined Tough, what can we expect from this new formation?

CP: I asked Robi to join the band in March. We had started to have logistic problems with Stefanino and he became too busy to work with us on a steady basis. I have a great desire to practice as much as possible. I'm no longer twenty years old and need the training, especially with my voice as much as possible so we decided to make the change from Stefanino. I have to say that he's still my brother. We don't play together at the moment but Biso and I will never forget how important he was for Tough to keep us alive in a very difficult moment. 
So from that point I asked Robi to join us and not as a replacement, but fully as a member of Tough. He accepted the invitation with happiness and in a month's time, learned our entire setlist and conditioned himself to play live as we do with more speed than the records and no breaks in between songs. At this point I'm very relaxed because we can practice once a week and I think you can see it on stage. Eight months have passed by since his first day in the band and he's fucking perfect now. A very tough machine, but I think it's very simple for such a talented guy like him to do. 

    Tough in present day: Biso, Chris, and Robi

S: In spite of all the changes, 2013 and now 2014 have been quite productive for Tough! You've got three releases. The split with Agent Pazz, a wonderful full length "Four", and an extremely successful 7", "Obey The Ramones" just recently. There were two songs left from that last session. Are there any plans to use them? 

CP: Oh yes there is! We gave those last two songs to Paco and Marta from Rufus Recordings for what I think will be a six band split! I'm really happy to work with them because they are so nice and sweet. True punk rock lovers and supporters too. They are one of the reasons I love Spain!

S: As a pioneer of the 90's, I'm sure you've seen the changes America's version of pop punk has went through. More often than not, it's nowhere near what we knew in our younger years. Is it the same way for Italy or do you feel there's more of that beginning spirit surviving there? If so why do you think it is?

CP: Certainly many things have changed. In America as in Italy. I state that it is only a matter of chronological luck, but the fact is that the 90's were the golden era of pop punk for us that we were in and we have contributed to the scene in a very active way. The new generations can't understand it, and it is for this reason that they don't come out with so many good bands anymore. Now everyone wants to sound like Teenage Bottlerocket, which for God sake, are a great band, but I think it is useless to want to play like them and maybe do not know bands like the Huntingtons or Boris The Sprinkler. I think a bit, it's a lack of desire to know what's behind it, why it all started. Many people do not know that Green Day should thank bands like Screeching Weasel and the Queers for every gig they have ....

S:  In our friendship I've definitely found out right from the start that we  both love the Ramones as way of life. Their influence on who you are is evident, even just watching from the outside having no personal knowledge. What are your first  memories of hearing them and what made you decide that this would be a lifetime philosophy for you and especially in Tough with your motto being "Obey The Ramones"?

CP: It's been 20 years that I've listened to the Ramones. Every day. For this I must thank Miccetta and the tapes that he would make for me with Ramones and Bad Religion. The first song I listened to of the Ramones was "I Wanna Be Sedated", and it was love at first sight. Since then I have really become a fanatic and I feel really lucky to have seen them live.

S: Do you think our generation is the last group of people to actually "get" the Ramones?

CP: Well, as I said before, it's simply a matter of luck, being in the right place at the right time. The guys who listen to the Ramones now will surely have different motivations from our own. It is already a fortune that Cj is still around and Marky before he became unhinged had done great things with the Intruders ....

S: You wrote a song for Kill That Girl which is a band that Andrea Manges produced a following album for. Being someone who is also a pillar in your music community and possessing a wonderful ear for sound too as I witnessed in my own observation while visiting, do you think you'd ever try your hand as producer if requested?

CP: Ahahahah!!!! I sincerely feel like I'm only a cretin who writes songs. The collaboration with KTG was born thanks to the friendship that I have with Leo. He simply asked me if I wanted to write a song for them and I couldn't say no. But I would never act as a producer for someone in the studio. I can give advice, but I don't feel I would want to tell a band what to do.

S: Something else I admire about you very much outside of your musical career is your just as defined role as tattoo artist with a strong dedication to the traditional style. When did you get your start leading up to the beautiful shop "Infrangible Tattoo" that you now own with your wife Valentina? Which artists have the most influence on your interpretation of traditional style?  

CP: I do not consider myself an artist. I just love tattoos and have always been a fan of them. My first tattoo dates back to '95, the Weasel of course! When I met Valentina we ended up having the desire to start tattooing in common. We spent three years locked in the house to do experiments on ourselves and our friends, the circle gradually widened and then we were "forced" to open the studio. Now it's almost 4 years that we have been open and we are really happy how things are going. I personally have so many artists that I like very much. Let's say that I love simple tattoos with bold lines and a lot of black. A bit like the music I make in fact. Simple things but with great impact.

S: Ok, let's close this out with a few questions just for fun! What is your personal musical taste like at home and in the shop as far as what you like to listen to? Do you see any newer bands coming up in punk rock that you enjoy?

CP: I come into the studio, turn on the iPod in random mode and listen to punk rock all day. Mostly punk rock from '90s, but if I get some new record that I like, I just put it on. The newer records I have put on are the new Leeches one which is a blast and last recording of Deecracks. Currently if I have to say what my favorite newer bands are, I'd choose them.

S: I mentioned a little about this earlier in my question about the new lineup. After the "Obey The Ramones" 7" came out, you went on a tour in support of it through mostly Spain. Tell me, what do you like about their scene? What should someone know about it that's never been there before?

CP: I really don't know where to begin with talking about Spain. It was amazing. In every single city we found a lot of fans and supporters, almost were completely sold out of the merch we brought, and there were the craziest afterparties ever! Especially in Oviedo, where we learned how to drink cider in the right way at four am and also in Bilbao with some of the most crazy drunk, social people we met during the tour. We will probably go back in the Spring and will be happy to do it. They are very passionate people and to play for them is a great pleasure!

S: Now I'd like to thank you greatly for your time once again Chris and deliver the last question of tradition with my interviews. This is one that was really intended for you since I first started to ask it!! You can choose from any of the following categories: top five songs, albums, lyrics, moments, or memories of your choosing related to the Ramones! What is your top five?

CP:

 Songs

 1. Commando

 2. Havana Affair

 3. I Wanna Be Sedated

 4. Poison Heart

 5. Wart Hog

Albums

 1. Rocket to Russia

 2. Ramones

 3. Leave Home

 4. Mondo Bizarro

 5. Pleasant Dreams

Memories/moments

 1. Listening to I Wanna Be Sedated for the first time.

 2. Seeing the Ramones live.

 3. Seeing Dee Dee Ramone live.

 4. Opening for Cj.

 5. Opening for Marky (he's still a Ramone).