Wednesday, December 31, 2014

Best Of 2014!

Gabba gabba hey, punk rockers! I can't believe how quickly a year has already flown by being the first in my little adventure as a Resident Riff Randell, solo rock 'n' roll writer aka Ramona Confidential. Well technically, since I didn't start up until March but hey! Close enough. By the grace of Dee Dee I made it and what an INCREDIBLE one it was for punk rock. I don't think I've witnessed a year this abundant in good releases in a long time and have never gotten the chance to do one of these official list things, so I thought I'd give it a go. Each album's corresponding review is linked on the title just in case you missed it or more importantly, still need to get the record. An enormous thank you from the bottom of my heart sent to everyone who supported this little zine and here it is without any further delay, the best 2014 had to offer according to me!




Top Ten LPs 
1. The Manges- All Is Well
This record was proof that you can strip away all modern popular studio techniques/production from a punk rock record and have an end result that is still very punk. It was a much welcomed surprise to see a collection of songs take shape like "All Is Well", with the pure simplicity of what punk rock is at it's heart and foundation. That lesson The Manges gave is one our little universe desperately needs right now if it is to continue. Remember where it started!! 
2. Giant Eagles- Giant Egos
Have you ever had a record take over your life, like out of nowhere? THIS is it for me. I had already heard a few songs on their facebook page and liked them quite a bit but really had no clue what I was in for on the morning I wrote to Marien inquiring about where to hear it just after "Giant Egos" was released. This "Best 80ties Synth-Ramonescore ever" is truly the most addictive and unique thing I've heard in the last decade and I can't wait to see what's next from these boys.
3. The Mugwumps- Mutation In The Family
The equivalent of love at first sight, that is what this band is to me. "Mutation In The Family" was like reuniting with a long lost love after years of thinking it would never happen and picking up in the moment as if no time were ever missed. Chris, Hank, and Andi collectively possess a dynamic that isn't common, and everything pop punk should be. These songs kicked my ass and were beautiful at the same time. I listen to them just as much as Banana Brain's and that is no surprise.  
4. CJ Ramone- Last Chance To Dance
As I said in my review a couple weeks ago, this year was tough for Ramones fans. We lost Tommy and it tore my heart out. It was hard, but to witness CJ put out a wonderful record and get the bigger label support he very much deserves gave me such a happy feeling. True self expression is the most fundamental element of an artist and I adore the way CJ never backs down from who he is as a punk rocker. That is the Ramones way of life, that is what "Last Chance To Dance" is, and he is my hero for honoring the legacy. Ramones forever. 
5. The Windowsill- Showboating
2014 was one hell of a year for Marien Nicotine as a songwriter! This band already had my attention with their powerful debut and "Showboating" captured me every bit as easily. The Windowsill is proof that you can play pop punk with a heavy injection of pop and not once venture into sounding cheesy. These songs are great and I might as well just buy a sleeping bag for this LP to stay next to my turntable because that is it's most frequent place of residence. 
6. The Apers- Confetti On The Floor
Holy shit I was on cloud ten to see The Apers come back with a new full legnth. This band's passion burns just as bright as it did from day one and what a fun record "Confetti On The Floor" is! Kevin Aper is the master of making sure things stay away from getting so damn emo and I don't think I've smiled that much to hear a record in such a long time. True pop punk is here to stay as long as these pioneers are around and I'm so glad for that. 
7. The Putz- Knock It Off
The American scene can be a tough sell for me within it's current wave due to the loss of tradition but this is a record that shows it still exists in the land where the genre was created. The Putz are the kind of guys that if I knew nothing about them in a first listen, I'd be wondering why I missed out on a killer Lookout band! They are that good and "Knock It Off" is an instant classic that I am happy to have in my collection.
8. DeeCRACKS- Beyond Medication
Austria is home to not one, but two of my favorite bands in the moment and it was fantastic to see DeeCRACKS step forward with a solid release as well! "Beyond Medication" has fifteen songs that hold a perfect balance of in your face roughness, pretty melodies, and newer elements of experimentalism. Plain and simple, it is a staple for any self respecting punk rocker's collection this year for the level of quality you can always count on from them brightly shining through.   
9. Proton Packs- Space Opera
A concept album is one of the riskiest moves a band can make. The story has to be strong, interesting, backed with 100% conviction, and The Proton Packs precisely understood that when they stepped into the studio to record "Space Opera". It's like a 70's sci-fi thriller movie you can hear and I've listened to it over and over. Everything about this record is bold from the music to the cover art and it proves punk rock can not only bring a complex idea to life, but do it well.
10. The Bat Bites- The Bat Bites
I'll be the first to admit that my musical taste is one that's heavily ruled by male artists, but there's nothing more I love to see than a hard working woman stand next to the boys and kick ass. While The Bat Bites have that super cool male/female shared vocal dynamic, I very much admire Merel's skill as a songwriter. "The Bat Bites" was a total evolution in her and the rest of the band's presence. All you gotta do to confirm that is listen.  

Top Five 7"s/EPs
1. Tough- Obey The Ramones
Full passion. That is Tough in two words. I love them always for remaining intently focused on the path that was paved by our founding fathers of punk rock to keep things simple, catchy, and intense. "Obey The Ramones" was the next step in their journey showing that four songs can have all the punch required to make a strong impression and I've listened to them repeatedly for it. The world is all the better with bands who maintain an uncluttered philosophy and Tough is a fine example of that.
2. Travoltas- The Longest Wait
This band's return to a scene that never got over their leaving was the biggest miracle of the year! My level of devotion to the Travoltas surpassed the atmosphere on the morning I heard "The Longest Wait" because not only were they back, but they were also better than ever. The beauty of these songs brought a little more sun back into our lives and I am so glad to see that it looks like the guys will be sticking around. I have nothing but full anticipation to hear what they do next.
3. The Nuts- The Nuts
I had the total honor of being a close observer in watching The Nuts become one of the quickest growing bands this year! Due to their high level of commitment, this relatively new entity led by an amazing woman(another one, hooray!) made big strides gaining experience and produced a fantastic debut 7". These girls and guy have something very special and I can't wait to see where they go from already such a exciting start.
4Doctor Frank &The Bye Bye BlackbirdsEven Hitler Had A Girlfriend
2014 seems to have been the doorway for many great creators to return. Just when I thought it couldn't get any cooler, Dr. Frank showed up and made it so! With a talented backing band, he brought these two well loved classic songs even more to life and that was a perfect start to all the activity he's had this year. A new single and several live performances with a full band transpiring since then seem to suggest the doctor is back in. That can only be a good thing.  
5. The MangesLone Commando(All Is Well)/Steadfast Tin Solider
Singles with two A sides are a rarity that should be celebrated! Out of all new Manges releases that happened, this is the only one I didn't cover but it's still going on my list as a result of that. I loved the idea of a single 7" that included their title track from "All Is Well" but there was a big surprise waiting to be discovered. With some different elements of instrumentation and flawless arrangement, "Steadfast Tin Solider" is a song of the year and definitely an A side too.

Best Label 
Monster Zero- Without a second thought in the matter, they were the strongest force out there this year as far as record labels are concerned for me. Kevin Aper and his team's unwavering commitment to giving underground music the support it needs to be heard is beautiful and I wish them all the success in the world for it. They ruled my list this time and I will definitely be there to support them as we move into 2015. Thank you Monster Zero!

Best Distro
Striped Music- Good things grow. After taking a brief hiatus in the late Summer, Striped Music came back with an even bigger presence of passion and professionalism. Now fully licensed, they are ready to take on a whole lot more with distribution for some big names but that's not all! Striped Records is also up and running once more with a killer release to mark the occasion. Andrea, Linda, and the rest of the Striped family are part of the reason this all keeps going so give them your business!  

Best Studios
Out of everything I heard this year, these were the two that really came through with amazing sound. Consider these studios and their wonderfully talented people for any of your recording/mastering needs!
T.U.P. Studio
Simon Baken Audio Engineering

Best Podcast

Jughead's Basement- After crossing over September, this podcast now has two years under it's belt and is only getting better with the level of meticulous work John pours into each episode. In the newest, we got a rare look into the world of The Vindictives and their masterpiece of a record, "Hypno-Punko". I adore this show for giving importance to so many people who deserve it and will always be a listener for that. He's got a lot more on the way so stay tuned!

MVP(Most Valuable Punk Rocker) Of The Year 
You-  Yes, you. Whether you are in a band, running a label or distro, promoting shows, writing reviews, or simply just present to support it as a fan, you are a vital part of this community. Over the years I've watched things change a lot for underground pop punk/punk rock but if you are there, that means hope is too for it to continue existing. This is such a little passionate niche in music that I still believe in so much, so thank you for making it possible.      

Special thanks to the following people who have kept me going in pursuing this little dream with their support, kindness, and help that I am beyond lucky to have: Andrea Manges, Valentina De Rosa, Chris Polecat, B-Face, John Jughead Pierson, Danny PanicPhil Nieswender, Scott MatthewsJoey VindictiveJohn Proffitt Jr., and Leah Alex Lehmann

Wednesday, December 24, 2014

Neon Bone- Year Zero

One man projects require a very special breed of person to work. They are the truest test of a person's ability as both musician and composer. If it sucks, there's no team of people to stand behind and as far as I'm concerned, Lars Hannemann has never had to worry about that. There was something very attention grabbing in his powerful yet melodic voice and perfect understanding of pop punk/punk rock, keeping it simple with no bullshit while still making a big statement the first time I heard Neon Bone a couple years ago. Ever since his start in 2010, he's stayed busy with several releases and the quality of his work only increases each time so I'm always excited to see the news coming from Münster, Germany that he's got something new ready! A wonderful EP called "Year Zero" is his latest statement and it took all of a few seconds for me to fall for these songs, so here I am to tell you about it!


The songs were recorded during the late Spring and Summer of this year at Unterschichten Records in Münster,Germany by Sascha Wiesbrock, also acting as producer with the exception of 7-8, which were recorded by Neon Bone. Another thing I enjoy about this band is that his album covers are always different with no two in his discography being similar. This time he went with a great live shot by Disorderlovenpeace and the layout was done by Lars. Release happened November 28th and it's available on cassette through Uga Uga Tapes, Kill All Human Records, Trim Tab Tapes, and Eccentric Pop Records. The tape does come with a download code and digital only can be acquired through Neon Bone's bandcamp page where the EP is also streaming in full. 

As I mentioned earlier, I've always liked Lars' songs very much due to the traditional approach in how he plays, giving a lot of respect to pop punk's true foundation while adding in individuality with his own unique presence. He could have easily fit into the the 90's alongside Lookout bands but lucky for us, he's here in the now to make sure that spirit continues! Side A starts out with the great and upbeat "You're Alive", showcasing what makes me a fan of this band. Vibrant and emotionally open vocals, simple yet powerful arrangement, and a beautiful solo. He's got it down to a punk rock science and while that's the thread that holds his work together, there is also a heavy streak of 50's/60's beauty going on in a few songs. My top pick, "Will You Be There Tonight" is one. With the closely paired harmonies it has such a Everly Brothers sound and I love it! Those early elements of rock 'n' roll are what gave birth to punk rock so it is vital that they remain in present day and it's always refreshing to see someone understand that. There's another lovely ballad on this side, "I Turn To You" that I found myself smitten with as well but make no mistake in thinking that's all Lars has up his sleeve this time!! Side B kicks off with "Don't Give It Up Now" a faster paced one with wonderfully positive lyrics for someone in a rough patch and a great bridge. I'm always curious to see what cover song he will choose next because they are never common and always interesting. Staying within that practice he chose the 1963 version of the Blue Diamonds "Sukiyaki" and every bit of the Dutch/Indonesian brothers' harmonic character carries through in his take on the song, just translated to punk rock style and I like it! The EP closes out with the romantic "I Wanna Be With You" and the natural choice for me is just to listen to them all again.

Stream the songs and pick up the tape from any of the labels(Eccentric Pop should have theirs soon!). "Year Zero" is simply a little gem of an EP and I'm glad to close out this year's series of reviews with it. Things are always moving along at Neon Bone headquarters so there are a couple more pieces of information I wanted to pass along. First, the last full length album "Good Things About You" is now up for free download(as well as all previous releases) so if you missed out on it, now's your chance to catch up! Second, Lars is hard at work putting together the next batch of songs as we speak which will be released next year on none other than Monster Zero Records so stay tuned to the story as it develops by liking the Neon Bone facebook page if you haven't yet. I'm very much looking forward to that! 

Neon Bone is...
Lars Hannemann

All songs written by Neon Bone except "Sukiyaki", written by Rokusuke Ei and Hachidai Nakamura 

Tracks
Side A
1. You're Alive
2. Will You Be There Tonight
3. Nothing I Would Rather Do
4. I Turn To You
Side B
5. Don't Give It Up Now
6. Did You Forget Me
7. Sukiyaki
8. I Wanna Be With You

Sunday, December 21, 2014

Spastic Hearts- No Girls No Fun

Lightheartedness is an attribute in music that there can never be too much of in my opinion. There's enough to get you down out there in the real world and within the sanctuary of my home, I love the escape of putting on a record that is fun. This goes anywhere from the first Ramones record and beyond in my day to day worship sessions at the turntable. I've followed The Spastic Hearts since they formed a couple years back and that's the just the kind of spirit you can count on from them. The Ohio based pop punk quartet saw a successful release of their first self titled album back in 2012 and are back to deliver a new offering called, "No Girls No Fun". That's what I'd like to tell you about today!


Recording started in the Fall of 2013 and wrapped during early February of this year following in the same pattern as their debut album starting with drums and lead vocals which were tracked at Amperon Recorder by Pete Drivere. All other instrumentation and vocals were recorded at The Breezeway by Mikey of The Spastic Hearts. Mixing and mastering was done by the always great capabilities of Justin Perkins at the Mystery Room. The cover photo done by Ally Bubblegum with a girl's legs and arms peeking out of a bathtub's edge paired with the album design/layout by Ryan Rawtone really gave it the appearance of a campy 80's movie poster and I like it a lot! Official release happened on October 31st, made possible by Jolly Ronnie Records and Swamp Cabbage Records who partnered up to make the LP, and then SP. Records who released it on CD. With a couple labels working together on the vinyl, that allowed some nice variants to happen for this record with 22 being pressed to white that are band exclusive, 40 on a really pretty turquoise blue with black streak which is what I have, and then 460 on black. The LP does come with a download code and digital only can be obtained through iTunes. The album can also be streamed in full and downloaded over at Swamp Cabbage's bandcamp.

I think the initial thing I noticed in the first listen of Side A's opener, "Can't Get Enough" is that the power pop influence in their sound was taken a notch up but the Chuck Berry-esque rock 'n' roll vibe is still definitely there driving everything along at an energetic pace with of course the strongest element of The Spastic Hearts which is pop punk. Jay's vocals sound powerful and great like they did in the debut but another little change I really like in this department is there are more harmonies coming in from both Mikey and Angie compared to last time. That is a good move giving the songs more depth. The song content is very matched to the playfulness of the cover imagery both musically and lyrically with lots of romance for better or worse and just fun in general! "Baby Doll" has some nice keyboards and well played soloing from Mikey who makes quite a few appearances with his talented skill doing just that throughout the album. Things slow down a bit in "All For You", showing their ballad side with some sugary backing vocals but pick right back up after into "Emily" and then one of my favorites "Let Her Go", a nicely arranged tale of heartbreak. Side B starts out running with the high energy title track "No Girls No Fun" and another one I really liked which is the more straight ahead pop punk "Eat Your Heart Out". "It's Ok" has a ton of 80's pop influence with a solo that sounds like it could fit in just as easily with a song by a band like The Outfield followed by a couple more faster paced numbers and the record closes with the mid-tempo "Don't Go" about a girl who got away. Great bridge and fade out!

It's always nice to have a record in your collection that isn't so serious and just exists to entertain. That's exactly what The Spastic Hearts did with "No Girls No Fun", I'm glad to own it, and recommend it for yours! Visit any of the labels' webstores to get your copy and European fans can find it through Striped Music's distro. As always, stay tuned with the band by giving their facebook page a like!

The Spastic Hearts are...
Angi- Bass and Vocals
Mikey- Guitar and Vocals
Jay- Vocals and Guitar
Casey- Drums

All songs by The Spastic Hearts 

Tracks
Side A 
1. Can't Get Enough
2. Baby Doll
3. Dance 4 Me 
4. All For You
5. Emily 
6. Let Her Go
Side B
7. No Girls No Fun
8. Eat Your Heart Out
9. It's Ok
10. Spastic Heart 
11. Spend It With You
12. Don't Go 

Tuesday, December 9, 2014

CJ Ramone- Last Chance To Dance

2014 has been tough for Ramones fans. Ever since Tommy's passing last July, my heart has been left with a little part of the initial sadness I experienced on the day he left that is hard to console. A world where the original four Ramones are missing seems to sparkle a lot less and it's hard to keep my hopes up that their message will stay alive as it always should. Granted there have been many reasons to smile still and many glimmers of promise for it to continue in this year but I think there couldn't have been better timing to see a surviving part of that legacy step forward with a new release. I'm talking about our CJ of course. For me and many others, he is the one out of the few Ramones still standing within the earthly realm who's always striving to keep that memory and message of his brothers alive with the utmost honor. We needed him and he's here with his latest effort entitled, "Last Chance To Dance". This record captured my heart in an instant so without further delay, it's time to activate my super Riff Randell mode and tell you about it!


The songs were recorded and mixed by Jim Monroe during the early Spring of this year at The Racket Room in Santa Ana, CA with Jiro Okabe acting as executive producer. Further production assistance came from Jim Monroe, Steve Soto, and CJ Ramone. Additional engineering was done by Sergio Chavez and the process was completed by Paul Miner who handled mastering. This studio and accompanying team of people created a fantastic end result with the sound. The band comes through beautifully and crystal clear. If the cover photo by the legendary Allan Tannenbaum seems to take you back in time, there's good reason! It was shot during the late summer of 1974 in Times Square, capturing a pretty woman of the night standing in front of a run down bar. I love this choice because along with the lettering of CJ's name up at the top, it really pays tribute to the imagery of first Ramones record cover while maintaining it's own unique identity. His work is candid and magnificent! The back cover photo by Carla Meurer is a great live shot from below, displaying his powerful onstage stance. Additional photography was done by Paul Mackay and the layout credits go to Sasha Loobkoff. Official release date happened on November 25th,2014 by Fat Wreck Chords and is available in the following formats of: digital only, CD, and LP which can all be obtained through their webstore. Digital only can also be found on iTunes but enough of that, let's talk about the vinyl!! You can choose from black or my personal recommendation of color. It is a GORGEOUS white with black and grey splatter that coordinates perfectly with the cover. I got mine last Saturday from the postman and have since failed to stop admiring it on a daily basis.

When I interviewed CJ during June of last year, he had let us know that about half of this new record written. That was excellent cause for both joy and anticipation! I adored Reconquista very much, especially that utter gem of a song "Three Angels" and wondered to myself while waiting, "How will he follow that record and will it be just as impactful?". That answer is a resounding YES as soon as the needle drops and you hear "Understand Me?", the first track that got it's own single 7" last October. A bounding rhythm, two simple verses, and magnificent hook that takes you into the chorus is all this man needs to win you over, joined by a more than skilled band featuring members of The Adolescents and Social Distortion. That's what punk rock is all about and the veteran does it with absolute ease. Another of CJ's many attributes that keeps him just as valid in present day is the sheer beauty he maintains in his vocal tone. Listening in this moment, I can close my eyes and hear the kid just out of the the Marines who was, and still is a natural. Speaking of his military past, that leads us into "Won't Stop Swinging" featuring Steve Soto as co-writer giving a look at the period of his life where the choice was to enlist or stay home with few means to survive. Even without that kind of history in my own background, I found myself really connecting to this song because the root of it is struggle and a very inspiring display of self determination. Kick ass solo in it too and a video was just released for the song yesterday! Check it out here. It's without a doubt my #1 pick for overall favorite track. That heavy rock 'n' roll gets even heavier in "Mr. Kalashnikov" which is a tribute to Mikhail Kalashnikov, maker of the AK-47. The lyrics are tough, the guitars are tougher, and it's catchy as hell. Make no mistake of thinking that toughness is all there is to this collection of songs though! There are some beautiful love songs to balance out the edginess which you will hear in "One More Chance", "You Own Me", and my personal favorite of those, "'til the End". It has such a perfect arrangement and pop sensibility that I can almost hear his brother Joey singing along every time it plays. I adore that song. The sailor's tale, "Carry Me Away" is a little realm of it's own and adds in another layer of depth with it's old world feel. Very cool. There is also one cover appearing this time and that is Alice Cooper's "Long Way To Go". This rendition is injected with a heavy dose of punk rock but loses none of the original's reverence with the addition of The Adolescents' front man, Tony Cadena who teams up with CJ for some guest vocals. They play off of each other well and it's a success! "Last Chance To Dance" is everything a title track should be and that is a standout! It was another favorite of mine with such a pretty verses, a magnetic chorus, and great backing vocals. This very well could have been the closer and I would've been okay with that BUT... CJ  decided to flip the script in true rebel fashion and bring out the punch in the face that is "Clusterfuck"! At one minute exactly, this tune co-written with Dan Root is a burst of total fury and gave me a big smile because with as soft as people can be in music these days, we need someone to raise a middle finger every now and then. Who better to do it than a Ramone? No one, that's who.

In closing I could say so many more things but I don't need to because "Last Chance To Dance" speaks for itself. All you gotta do is listen. CJ and the guys have plans to hit the road with a vengeance in this quickly approaching new year so stay tuned to his facebook page for all upcoming details and hopefully we'll all get the chance to see him. Ramones Forever.

The Band...
Steve Soto- Guitar and Vocals
Dan Root- Guitar and Vocals
David Hidalgo Jr- Drums
Cj Ramone- Bass and Vocals

With guest appearance by Tony Cadena doing vocals on "Long Way To Go", additional percussion by Pete Sosa, and baritone guitar on "Won't Stop Swingin" by Martin Beal.

All songs written by CJ Ramone except: "Won't Stop Swinging" written by Ramone/Soto, "Clusterfuck" written by Ramone/Root, and "Long Way To Go" written by Michael Bruce.

Tracks
1. Understand Me?
2. Won't Stop Swinging 
3. One More Chance
4. Carry Me Away
5. 'til the End
6. Long Way To Go
7. Mr. Kalashnikov
8. Pitstop
9. Grunt
10. You Own Me
11. Last Chance To Dance
12. Clusterfuck