Sweet Baby "It's A Girl!"
A Wordy Scribe About A Deceptively Smart Album For Romantic Dummies.
Sweet Baby - an East Bay pop-punk band that was criminally ignored/underrated during their brief existence & their sole album "It's A Girl!" deserves to be emblazoned in the pantheon of classic albums in our beloved & misanthropic genre of punk rock.
I was introduced to this prodigious album through a friend/bandmate in a (also) short-lived punk band we were both in. He was one of the lucky few who actually had the vinyl copy of this melodic gem while I had to resign myself to the cassette format (which I had purchased thricely over time due to excessive playing).
The albums' hold on me was immediate for a few good reasons:
1. Musically - it was an amalgamation of early era Beatles (especially the chord structures & harmonies) & the Ramones (concise & rambunctious).
2. Lyrically - it tackled all the profundities regarding romance (yearning, having & losing) & the words were sometimes sincere, sometimes humorous & sometimes both.
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3. Thirteen songs in just over twenty five minutes. Melodic AND economical!
Recorded in 1988 by engineer/producer extraordinaire Kevin Army, "It's A Girl!" has not aged sonically or lyrically (um...correction on my behalf. The song "Telephone Booth" bellies it's lyrical age due to telephone booths being rather scarce as of 2015 compared to the halcyon days of the eighties).
The opening salvo of "It's A Girl!", "Baby, Baby, Baby Baby, Baby, Baby, Baby (I Love You)" (all one minute & eleven seconds of it) signals the intent & nature of the the album & will not likely be misconstrued as a convoluted civics lesson, an explanation of binary arithmetic or a passionate dissertation of religious or political didacticism. This song would make both the Beatles & the Ramones proud....& there's still twelve to go!
Being that "It's A Girl!" is about a girl, or a myriad of them, the genius prevails throughout the album from the three profundities I mentioned above:
Yearning for the girl- the songs "Two Tons of Dynamite", "There's This Girl" & "Gotta Get A Girl" all exemplify this feeling & the song "This Talk About The Girl" adds an insouciant cognizance towards current events compared to the more topical, more important girl.
Having the girl- from the joyous ("Baby, Baby, Baby, Baby, Baby, Baby, Baby (I Love You)", "She's From Salinas" & "Resuscitation"), to the demented ("The Way She Gets Around"), these songs exemplify the punch drunk feeling of being in love.
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Losing the girl- "Year After Year", "Telephone Booth" & "Pathetic" embody the despair of romantic love lost. "Pathetic" has to be quite possibly the most mirthful sounding song in modern recorded music to report on a break-up.
Additional props go to "She's From Salinas" for the Venus de Milo reference (absolutely clever) & their cover of "Daddy Cool" that respects both the Rays & Darts versions, but gives it a British Invasion/punk kick in the proverbial pants.
The album naturally wouldn't exist without the band of course. My appreciations to Dallas-for his sundry, sincere vocals & his engaging charisma throughout the album; Matt-for his knack for brilliant guitar/chord structures & his Lennon-esque backing vocals; Richard - for his bass playing adaptability, switching from Dee Dee Ramone root notes on one song to Paul McCartney walking bass runs on another with such ease & Sergie-for his melodic drumming , encapsulating a saunter & shuffle with punk rock energy.
Thank you Sweet Baby for making, to these eyes, ears, nose & throat, the best East Bay pop-punk album of all time! May this reissue garner the attention "It's A Girl!" & the four of you so richly deserve!
A special thanks to Sara for letting me pontificate, Eccentric Pop Records lovingly reissuing this masterpiece & Scott "Gub" Conway for turning me on to Sweet Baby in the first place.
XO
Danny "Panic" Sullivan
Somewhere on earth...